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  • AODC Season 4
    • Season 4
    • 44 Breaking Whole
    • 42 The Divine Feminine
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    • 39 A Demon-Haunted Land
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    • Season 3
    • 34 I'M Where?
    • 33 Sigman
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    • Season 2
    • 26 Deborah Nielsen
    • 25 Eileen Robertson Hamra
    • 24 Stephen Goyer
    • 23 The Evans
    • 22 John Sagebiel
    • 21 Albert Lee
    • 20 Nielsen and Clark
    • 19 LAGi
    • 18 Jill Derby
    • 17 May and Clark
    • 16 Susan Clark
    • 14-15 Dy Comp Summary
  • AoDC Season 1
    • Art of Dynamic Competence
    • 13 Bethany Crawley
    • 12 Ted Powell
    • 11 Carla Scheidlinger
    • 10 Lucas Molleman
    • 09 Will Roger
    • 08 Newton Harrison
    • 07 Mary May
    • 06 Anthony Taylor
    • 05 Michael Hogan
    • 04 Fiona Beddoes-Jones
    • 03 Fiona Beddoes-Jones
    • 02 Thomas May
    • 01 Introduction
  • More
    • Home
    • Perspectives
    • Who We Are
    • Contact Us
    • AODC Season 4
      • Season 4
      • 44 Breaking Whole
      • 42 The Divine Feminine
      • 40 Topology of Time
      • 39 A Demon-Haunted Land
    • AODC Season 3
      • Season 3
      • 34 I'M Where?
      • 33 Sigman
      • 31-32 Will Roger
      • 29-30 Hogan
      • 28 Huseyn and Roberson
      • 27 Ryan Derby-Talbot
    • AoDC Season 2
      • Season 2
      • 26 Deborah Nielsen
      • 25 Eileen Robertson Hamra
      • 24 Stephen Goyer
      • 23 The Evans
      • 22 John Sagebiel
      • 21 Albert Lee
      • 20 Nielsen and Clark
      • 19 LAGi
      • 18 Jill Derby
      • 17 May and Clark
      • 16 Susan Clark
      • 14-15 Dy Comp Summary
    • AoDC Season 1
      • Art of Dynamic Competence
      • 13 Bethany Crawley
      • 12 Ted Powell
      • 11 Carla Scheidlinger
      • 10 Lucas Molleman
      • 09 Will Roger
      • 08 Newton Harrison
      • 07 Mary May
      • 06 Anthony Taylor
      • 05 Michael Hogan
      • 04 Fiona Beddoes-Jones
      • 03 Fiona Beddoes-Jones
      • 02 Thomas May
      • 01 Introduction
  • Home
  • Perspectives
  • Who We Are
  • Contact Us
  • AODC Season 4
    • Season 4
    • 44 Breaking Whole
    • 42 The Divine Feminine
    • 40 Topology of Time
    • 39 A Demon-Haunted Land
  • AODC Season 3
    • Season 3
    • 34 I'M Where?
    • 33 Sigman
    • 31-32 Will Roger
    • 29-30 Hogan
    • 28 Huseyn and Roberson
    • 27 Ryan Derby-Talbot
  • AoDC Season 2
    • Season 2
    • 26 Deborah Nielsen
    • 25 Eileen Robertson Hamra
    • 24 Stephen Goyer
    • 23 The Evans
    • 22 John Sagebiel
    • 21 Albert Lee
    • 20 Nielsen and Clark
    • 19 LAGi
    • 18 Jill Derby
    • 17 May and Clark
    • 16 Susan Clark
    • 14-15 Dy Comp Summary
  • AoDC Season 1
    • Art of Dynamic Competence
    • 13 Bethany Crawley
    • 12 Ted Powell
    • 11 Carla Scheidlinger
    • 10 Lucas Molleman
    • 09 Will Roger
    • 08 Newton Harrison
    • 07 Mary May
    • 06 Anthony Taylor
    • 05 Michael Hogan
    • 04 Fiona Beddoes-Jones
    • 03 Fiona Beddoes-Jones
    • 02 Thomas May
    • 01 Introduction

Three Ways to View Dynamic Competence

  

1. Reactive Responses

  • Focus on efficient implementation of existing systems
  • Maximize output and minimize waste
  • Works well until disruption hits
  • Signs it's not working: feeling stuck, seeing wasted resources


2. Collaborative Adaptation

  • Explore individual responses to change
  • Use new tools to understand different perspectives
  • Build solutions together
  • Create step-by-step improvements
  • Get back to productivity, often better than before


3. Deep Integration

  • For times of profound change
  • Build awareness of underlying patterns
  • Question assumptions
  • Explore new ways of working together
  • Create lasting transformation  

 What is fascinating is that when we work under this umbrella of Dynamic Competence, we have the opportunity to touch all of these perspectives at any time. It’s just practice that gives us consistent access to the appropriate perspectives and the phenomenal results that can arise from this work. 

Please let us know what you think about these perspectives. Do they make sense to you? Do they resonate with you? How have these manifest in your work in interesting and challenging ways?

Let us know

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